Kafka on the Shore

Cash isn't the only thing I take from my father's study when I leave home. I take a small, old gold lighter--I like the design and feel of it--and a folding knife with a really sharp blade. Made to skin deer, it has a five-inch blade and a nice heft. Probably something he bought on one of his trips abroad. I also take a sturdy, bright pocket flashlight out of a drawer. Plus sky blue Revo sunglasses to disguise my age.

I think about taking my father's favorite Sea-Dweller Oyster Rolex. It's a beautiful watch, but something flashy will only attract attention. My cheap plastic Casio watch with an alarm and stopwatch will do just fine, and might actually be more useful. Reluctantly, I return the Rolex to its drawer.

From the back of another drawer I take out a photo of me and my older sister when we were little, the two of us on a beach somewhere with grins plastered across our faces. My sister's looking off to the side so half her face is in shadow and her smile is neatly cut in half. It's like one of those Greek tragedy masks in a textbook that's half one idea and half the opposite. Light and dark. Hope and despair. Laughter and sadness. Trust and loneliness. For my part I'm staring straight ahead, undaunted, at the camera. Nobody else is there at the beach. My sister and I have on swimsuits--hers a red floral-print one-piece, mine some baggy old blue trunks. I'm holding a plastic stick in my hand. White foam is washing over our feet.

Who took this, and where and when, I have no clue. And how could I have looked so happy? And why did my father keep just that one photo? The whole thing is a total mystery. I must have been three, my sister nine. Did we ever really get along that well? I have no memory of ever going to the beach with my family. No memory of going anywhere with them. No matter, though--there is no way I'm going to leave that photo with my father, so I put it in my wallet. I don't have any photos of my mother. My father had thrown them all

HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many honors is the Yomiuri Literary Prize, whose previous recipients include Yukio Mishima, Kenzaburo Oe, and Kobo Abe.

As powerful as The Wind-Up Bird Chronicle.... Reading Murakami ... is a striking experience in consciousness expansion. The Chicago Tribune

An insistently metaphysical mind-bender.
The New Yorker

If he has not achieved that status already, Haruki Murakami is on course to becoming the most widely read Japanese writer outside Japan, past or present.
The New York Times