Connecting Art Markets
Guilliam Forchondts Dealership in Antwerp (c.1632-78) and the Overseas Paintings Trade
(Sprache: Englisch)
Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic.
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Connecting Art Markets proposes that vertically-integrated art dealers operating on a large scale acted as cultural mediators, and offers an aggregate view that connects artistic and market developments at both sides of the Atlantic.
Klappentext zu „Connecting Art Markets “
Based on Guilliam Forchondt's surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt's workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.
Autoren-Porträt von Sandra van Ginhoven
Sandra van Ginhoven , Ph.D (2015), Duke University, is Research Associate II at the Getty Research Institute in Los Angeles. She has published articles on the role of art dealers and her research at the intersection between art history and economics engages tools for data analysis and visualization.
Bibliographische Angaben
- Autor: Sandra van Ginhoven
- 2017, X, 290 Seiten, Gebunden, Englisch
- Verlag: Brill
- ISBN-10: 9004319743
- ISBN-13: 9789004319745
Sprache:
Englisch
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