Conjure Women
A Novel
(Sprache: Englisch)
A mother and daughter with a shared talent for healing and for the conjuring of curses are at the heart of this dazzling first novel
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A mother and daughter with a shared talent for healing and for the conjuring of curses are at the heart of this dazzling first novelWINNER OF THE SOCIETY OF AMERICAN HISTORIANS PRIZE NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times NPR Parade Book Riot PopMatters
Lush, irresistible . . . It took me into the hearts of women I could otherwise never know. I was transported. Amy Bloom, New York Times bestselling author of White Houses and Away
Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother s footsteps as a midwife; and their master s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom.
Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love.
LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE
[A] haunting, promising debut . . . Through complex characters and bewitching prose, Atakora offers a stirring portrait of the power conferred between the enslaved women. This powerful tale of moral ambiguity amid inarguable injustice stands with Esi Edugyan s Washington Black. Publishers Weekly (starred review)
An engrossing debut . . . Atakora structures a plot with plenty of satisfying twists. Life in the immediate aftermath of slavery is powerfully rendered in
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this impressive first novel. Kirkus Reviews (starred review)
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Lese-Probe zu „Conjure Women “
FREEDOMTIME1867
The black baby s crying wormed and bloomed. It woke Rue by halves from her sleep so that through the first few strains of the sound she could not be sure when or where she was, but soon the feeble cry strengthened, like a desperate knocking at her front door, and she came all the way awake, and knew that she was needed, again.
She unwound herself from her thin linen sheet. If there were dreams, she d lost them now that she d stood up. There was only the crying, not so loud as it was strange, unsettling. She smoothed her nightmare hair and made ready her face. Stepped out from her cabin, barefooted.
At the center of the town, between the gathering of low cabins that sat close and humble, Rue could make out the collection of folks, like herself, who d been drawn from their sleep by the haunting cry. Anxious, bedraggled, they emerged to suppose at that unearthly sound. It was a moonless night, the clouds colluding to block out the stars, and the crowd knitted itself tightly in a weave of black whisperings.
You hearin that, Miss Rue? one of them said when she approached.
What little light there was streamed down from behind the crowd, hiding them, illuminating Rue. She couldn t make out their faces for the darkness but replied just the same. Can t help but hearin . That some poor sufferin somethin ?
As she walked, already she was holding herself straighter, prouder. It s what they were expecting. No matter how weary she was feeling on the inside, she knew she had to walk easy, like she were floating, same as her mama used to do. Rue s magic ought to be absolute, she knew, not come to them sleepwalking and unsure, or it wasn t magic at all.
Never heard nothin come close to that cry.
Ain t no creature.
That s one a Jonah s li l uns.
Rue knew they suspected already what child it was. That wrong child, born backward in a caul, a bath of black.
Jonah himself was opening the front door of his cabin and stepping out
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of it, and Rue did hope that Jonah, calm and right-headed, had come to silence the rumors on his child. But there was no denying that beyond him was the origin of the crying. Even his tower-tall presence in the doorway couldn t block out the menacing sound.
Miss Rue, he called, and his voice was thin like river silt. You there, Miss Rue?
Rue did ache for Jonah s predicament. She answered, I m here.
Sarah s thinkin the baby s took sick. She s wantin you to look him over.
Rue stepped forward, took her time going up the few sunken-down steps to the little porch. She could feel all them eyes clinging to her back like hooks. At the top step Jonah, dark-skinned and strong and sure, reached down for her and took her elbow in his hand, guiding her. His calloused palms were hard against her bared skin, rough the way only a man s hand had cause to be, and as he moved her through the door, he gave the point of her elbow a slow rub, a caress away from their fastened eyes.
Thank you, Miss Rue, he said and showed her in.
The home was made up of two rooms, more than most folks could boast, though the thatch roof wept from some long-ago storm. Rue followed Jonah to the front room s far corner where Sarah was knee bent, washing the children.
The tub was large enough to fit all three of Sarah and Jonah s little ones, but their elder boy and girl stood outside of it, naked but dry, waiting to be washed. Their faces were damp and ruddy beneath their high-yellow skin, like they d been crying but had exhausted that sorrow, left it to the baby to do the weeping for the
Miss Rue, he called, and his voice was thin like river silt. You there, Miss Rue?
Rue did ache for Jonah s predicament. She answered, I m here.
Sarah s thinkin the baby s took sick. She s wantin you to look him over.
Rue stepped forward, took her time going up the few sunken-down steps to the little porch. She could feel all them eyes clinging to her back like hooks. At the top step Jonah, dark-skinned and strong and sure, reached down for her and took her elbow in his hand, guiding her. His calloused palms were hard against her bared skin, rough the way only a man s hand had cause to be, and as he moved her through the door, he gave the point of her elbow a slow rub, a caress away from their fastened eyes.
Thank you, Miss Rue, he said and showed her in.
The home was made up of two rooms, more than most folks could boast, though the thatch roof wept from some long-ago storm. Rue followed Jonah to the front room s far corner where Sarah was knee bent, washing the children.
The tub was large enough to fit all three of Sarah and Jonah s little ones, but their elder boy and girl stood outside of it, naked but dry, waiting to be washed. Their faces were damp and ruddy beneath their high-yellow skin, like they d been crying but had exhausted that sorrow, left it to the baby to do the weeping for the
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Autoren-Porträt von Afia Atakora
Afia Atakora was born in the United Kingdom and raised in New Jersey, where she now lives. She graduated from New York University and has an MFA from Columbia University, where she was the recipient of the De Alba Fellowship. Her fiction has been nominated for a Pushcart Prize and she was a finalist for the Hurston/Wright Award for College Writers.
Bibliographische Angaben
- Autor: Afia Atakora
- 2020, Internationale Ausgabe, 416 Seiten, Masse: 15,8 x 23,7 cm, Kartoniert (TB), Englisch
- Verlag: Random House
- ISBN-10: 0593134559
- ISBN-13: 9780593134559
- Erscheinungsdatum: 21.04.2020
Sprache:
Englisch
Pressezitat
Afia Atakora brings the Civil War South to life so beautifully with Conjure Women, a heartbreaking joy to read. Martha Hall Kelly, New York Times bestselling author of Lilac GirlsIf you are grieving for Toni Morrison, Afia Atakora is the young writer to read now: the kind of historical novelist who makes you believe she must have somehow seen the places she describes and known these characters herself. Her astonishing debut takes the reader to a Reconstruction-era Southern plantation, where two little girls the enslaved child of the local healer and the planter s cloistered daughter become unlikely friends. Conjure Women illuminates an unfamiliar corner of Civil War history and brings to life an indelible character whose talents, from midwifery to voodoo, will yield her own unconventional path to power and freedom. Nell Freudenberger, author of Lost and Wanted
[An] affecting story. Newsweek
In Conjure Women Afia Atakora masterfully centers two generations of women, folk healers who carry the secrets of their community while bearing the brunt of its antebellum past and its reconstructed present. Telling a gripping story at once grand and intimate, Atakora renders humanity in all its beautiful fits and flaws. Page after page, her voice announces itself like a thunderclap. The women in this novel will blessedly stick with you long after the last word has been read. Caleb Johnson, author of Treeborne
Secrets, heartache, and healing fill this story spanning two generations of women living in the South before and after the Civil War. Atakora s writing grips you from the first page of this soon-to-be-published novel. It s no surprise that she is being hailed as a successor to Toni Morrison. The Week
Conjure Women is a beautifully written novel that explores bondage and freedom through the lives of vividly drawn women who will stay with you long after you ve turned
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the final page. Afia Atakora is a writer of extraordinary talent and depth, and this spellbinding debut is a must-read. Anissa Gray, author of The Care and Feeding of Ravenously Hungry Girls
Richly imagined and elegantly rendered, Conjure Women transports us into the lives of powerfully determined women. Their intricate web of secrets will keep you turning its pages. Ambitious, hypnotic, not quite devastating, Conjure Women marks the arrival of a major new voice. Chinelo Okparanta, author of Under the Udala Trees and Happiness, Like Water
Atakora paces her novel beautifully, slowly unwinding the plot in unexpected ways as she examines a relatively unexplored aspect of American history. BookPage (starred review)
Deftly interwoven and emotionally involving . . . Atakora effectively handles the before-during-and-after structure, enriching her story. . . . Highly recommended. Library Journal (starred review)
Richly imagined and elegantly rendered, Conjure Women transports us into the lives of powerfully determined women. Their intricate web of secrets will keep you turning its pages. Ambitious, hypnotic, not quite devastating, Conjure Women marks the arrival of a major new voice. Chinelo Okparanta, author of Under the Udala Trees and Happiness, Like Water
Atakora paces her novel beautifully, slowly unwinding the plot in unexpected ways as she examines a relatively unexplored aspect of American history. BookPage (starred review)
Deftly interwoven and emotionally involving . . . Atakora effectively handles the before-during-and-after structure, enriching her story. . . . Highly recommended. Library Journal (starred review)
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