The Art of Seduction

The great seducers do not offer the mild pleasures that society condones. They touch a person s unconscious, those repressed desires that cry out for liberation. Do not imagine that women are the tender creatures that some people would like them to be. Like men, they are deeply attracted to the forbidden, the dangerous, even the slightly evil. (Don Juan ends by going to hell, and the word rake comes from rakehell, a man who rakes the coals of hell; the devilish component, clearly, is an important part of the fantasy) Always remember: if you are to play the Rake, you must convey a sense of risk and darkness, suggesting to your victim that she is participating in something rare and thrilling a chance to play out her own rakish desires.

To play the Rake, the most obvious requirement is the ability to let yourself go, to draw a woman into the kind of purely sensual moment in which past and future lose meaning. You must be able to abandon yourself to the moment. (When the Rake Valmont a character modeled after the Duke de Richelieu in Laclos eighteenth-century novel Dangerous Liaisons writes letters that are obviously calculated to have a certain effect on his chosen victim, Madame de Tourvel, she sees right through them; but when his letters really do burn with passion, she begins to relent.) An added benefit of this quality is that it makes you seem unable to control yourself, a display of weakness that a woman enjoys. By abandoning yourself to the seduced, you make them feel that you exist for them alone a feeling reflecting a truth, though a temporary one. Of the hundreds of women that Pablo Picasso, consummate rake, seduced over the years, most of them had the feeling that they were the only one he truly loved.

The Rake never worries about a woman s resistance to him, or for that matter about any other obstacle in his path a husband, a physical barrier. Resistance is only the spur to his desire, enflaming him all the more. When Picasso was seducing Françoise Gilot, in fact, he begged her to resist; he needed resistance to add to the

femininity; they fashion their own physical image, which is always startling. Use the power of the Dandy to create an ambiguous, alluring presence that stirs repressed desires.

The Natural
Childhood is the golden paradise we are always consciously or unconsciously trying to re-create. The Natural embodies the longed-for qualities of childhood - spontaneity, sincerity, unpretentiousness. In the presence of Naturals, we feel at ease, caught up in their playful spirit, transported back to that golden age. Adopt the pose of the Natural to neutralize people's defensivenss and infect them with helpless delight.

The Coquette
The ability to delay satisfaction is the ultimate art of seducction - while waiting, the victim is held in thrall. Coquettes are the grand masters of the game, orchestrating a back-and-forth movement between hope and frustration. They bait with the promise of reward - the hope of physical pleasure, happiness, fame by association, power - all of which, however, proves elusive; yet this only makes their targets pursue them the more. Imitate the alternating heat and coolness of the Coquette and you will keep the seduced at your heels.

The Charmer
Charm is seduction without sex. Charmers are consummate manipulators, masking their cleverness by creating a mood of pleasure and comfort. Their method is simple: They deflect attention from themselves and focus it on their target. They understand your spirit, feel your pain, adapt to your moods. In the presence of a Charmer you feel better about yourself. Learn to cast the Charmer's spell by aiming at people's primary weaknesses: vanity and self-esteem.

The Charismatic
Charisma is a presence that excites us. It comes from an inner quality - self-confidence, sexual energy, sense of purpose, contentment - that most people lack and want. This quality radiates outward, permeating the gestures of Charismatics, making them seem extraordinary and superior. Th